J R R Tolkein said: “Believable fairy-stories must be intensely practical. You must have a map, no matter how rough. Otherwise you wander all over the place. In The Lord of the Rings I never made anyone go farther than he could on a given day.” I loved following the adventures in the maps, and the artist helped give atmosphere to the story.
I feel very lucky to have an artist as clever as Sam Broad to do the cover and maps for each of the Tales of Fontania. He has an amazing sense of fun and drama. I don’t think he could do a boring picture no matter how hard to tried. His illustrations almost zoom off the page with energy. The other thing I really like is how he adds his own details to the basic ideas.
The Volume of Possible Endings is in five parts and each one is headed by an illustration. The one on page 158 is a fabulous raven soldier. See how his foot rests on the toadstool. See the feather dropping off his hunky arm. And take a look at the can of army rations on p 98. It’s disgusting. I love it.
The inside covers of The Volume of Possible Endings have a map of Owl Town where most of the action takes place. While I’m drafting a novel, I have to do maps myself to make sure I’m sending the characters in the right directions. I’m very grateful that Sam can look at my scrappy scribbles and turn them into versions that are so much fun and – well, I’ve already said clever. But when it’s about Sam Broad, it is worth saying clever at least twice.
Check out more of his work on his website.